I
just got done playing with the new Optoma HD7100 projector.
This is a new unit offering the latest DC3 1280x720 DLP chip
from TI. This unit is the replacement for the highly acclaimed
H78DC3 and H79 projectors and retails for $3495. The first
thing I noticed is that Optoma totally redesigned the unit.
To start, they are now using a 1.3-1.62x short throw lens.
The good thing about that is that it tends to have a bit more
brightness than longer throw lenses. The bad news is that
for those with larger rooms and/or smaller screens, the unit
will have to be mounted rather close to the screen. The previous
H7x series used a 1.59-2.15x lens by comparison. The new HD7100
does now have not only vertical, but horizontal lens shift,
which is a new feature. This is not commonly found on DLP
units, especially in this price range so that is another bonus.
The case itself is smaller than its predecessors, and in my
opinion much more attractive. It has a sleeker, more modern
look as opposed to the very box-like look of the H7x series.
The case is also smaller, but don’t let that fool you.
It weighs a strong 14lbs. The case is still the off-white
color, but it has more of a pearlescent look to the finish
which “fancies” it up. It offers a good selection
of inputs, including composite, s-video, 2- component, VGA
and DVI. I wish in their redesign they would have used HDMI,
but it’s not a deal breaker. The remote control is well
laid out, and offers some nice quick access features like
contrast, brightness, gamma and white balance. Another big
plus to the higher level Optoma units is their 3 year warranty.
This has that as well which gives the consumer piece of mind.
I plugged the unit in and got out my test equipment first.
I did a full calibration on the unit as to optimize for testing
and screenshots. There are presets for various color temps,
including the standardized 6500k. When I measured the color
temp of my test unit, it actually tested out about 7010k…a
good 500k more than the theoretical. For grins I switched
to a couple other presets, and they also were off by about
500. Moving on, I adjusted the white balance to get it as
close to the 6500k standard possible and ended up with 6491k.
After doing the remainder of standard adjustments I put in
some test material.
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